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In Stanley Kubrika in "Paths of glory" war is considered in terms of power. This is mesmerizing, urgent film about a true episode in World War II combines the idea that class differences are more important than national differences with the cannon-fodder theory of war, the theory that the soldiers are simply pawns in the hands of generals, who played in this war if it were a game of chess. As a result of this amazing movie was the emergence of one of the greatest talents of contemporary cinema, an artist whose work was the greatest yet to come.

В Стэнли Кубрика в "Пути славы" война рассматривается с точки зрения власти. Это mesmerizing, срочные фильм о подлинной эпизод в мировой войны объединяет идея о том, что класс различия являются более важными, чем национальные различия с пушкой-кормовых теории войны, теория о том, что солдаты просто пешками в руках генералов, которые играют в войну это если бы она была игра в шахматы. В результате этого удивительного фильма стало возникновение одной из крупнейших талантов современного кинематографа, мастер, чьи работы были наибольшие еще впереди.

When three General of star Irwin is transferred to a prison of military men of maximum safety, his guard, Colonel Winter, cannot hide his admiration towards the very decorated soldier and with experience. Irwin has been deprived of his line for the disobedience in a mission, but not of the reputation. Colonel Winter, who directs the prison with an iron handle, deeply admires the General, but it works with completely different methods in order to support the discipline. After the moment, Irwin can feel the unjust winter treatment of the convicts. He decides to teach the Winter a lesson assuming the order of the installation and this way depriving him of his satisfied attitude. When the Winter decides to take part in about what him he still thinks like a game, there can already too much be late to win.

Cuando el tres General de estrella Irwin es transferido a una prisión de militares de seguridad máxima, su guardián, el Coronel Winter, no puede esconder su admiración hacia el soldado muy decorado y con experiencia. Irwin ha sido despojado de su fila para la desobediencia en una misión, pero no de la fama. El coronel Winter, que dirige la prisión con un puño de hierro, profundamente admira al General, pero trabaja con métodos completamente diferentes a fin de mantener la disciplina. Después del rato, Irwin puede sentir el tratamiento injusto del Invierno de los presidiarios. Él decide enseñar el Invierno una lección asumiendo la orden de la instalación y así privándole de su actitud satisfecha. Cuando el Invierno decide participar en en qué él todavía piensa como un juego, puede ser ya demasiado tarde para ganar.

After a violent combat against the programming errors in his planet, with many falls of the people under the order of an official of coward, a group of mounted police officers looks for the refuge in a godforsaken military mail. The psychic Pvt. I read Sahara (Colleen Porch) it finds and releases Capt. V. J. Dax (Richard Burgi), who was left enclosure with key in a cell by his troop, after killing a general. Dax and two privates, in a bold mission, save the General. J. G. The shepherd (Ed Lauter) and some soldiers of an attack of the errors of programming, and Shepherd gives him an order position. Waiting for rescue, some mounted police officers are invaded by his mouths for small errors of programming that took the control of his brains. When General. The shepherd is possessed by a creature, Dax and Sahara treat to prevent him from returning to the Federation.

Después de un combate violento contra los errores de programación en su planeta, con muchas bajas de la gente bajo la orden de un oficial de cobarde, un grupo de policías montados busca el refugio en un correo militar abandonado. El médium Pvt. Lei Sáhara (Colleen Porch) encuentra y suelta Capt. V. J. Dax (Richard Burgi), que fue dejado cerrado con llave en una célula por su tropa, después de matar a un general. Dax y dos privates, en una misión audaz, salvan al General. J. G. El pastor (Ed Lauter) y algunos soldados de un ataque de los errores de programación, y Pastor le da una posición de orden. Esperando rescate, algunos policías montados son invadidos por sus bocas por pequeños errores de programación que tomaron el control de sus sesos. Cuando General. El pastor es poseído por una criatura, Dax y Sáhara tratan de impedirle regresar a la Federación.

John Marion Stryker is the ultimate marine Rifleman, a leader of gang of resistant gun which in 1943 is allocated a gang of new recruits saddled with three veterans and an old enemy of Stryker of the previous duties in Far East. A recruit in particlar is a source of friction with Stryker, Peter Conway, whose father was STRYKER’ S CO in Guadalcanal and who thought that his son was too soft and cowardly to be a marine Rifleman. The gang becomes more and more full of resentment in the regime of more and more violent training of Stryker and in its lack of sympathy in the various personal problems of the recruits, but its determination to go mouldy to them in the activists helps to save their lives when the gang is put down to Tarawa in November of 1943 and Stryker risks the life to exaggerate a Japanese bunker which slaughtered marine Riflemen trapped in a wall of log. The gang now assessed by battle becomes most de-près-tricot and the report of Stryker with the warms men as the gang is in the battle of island most covered with blood by war, in Iwo Jima finally.

John Marion Stryker est le Fusilier marin ultime, un chef d’escouade de fusil résistant qui en 1943 est alloué une escouade de nouvelles recrues sellées avec trois vétérans et un vieil ennemi de Stryker des devoirs précédents dans l’Extrême-Orient. Une recrue dans particlar est une source de friction avec Stryker, Peter Conway, dont le père était Stryker’s CO à Guadalcanal et qui a estimé que son fils était trop mol et lâche pour être un Fusilier marin. L’escouade devient de plus en plus pleine de ressentiment au régime d’entraînement de plus en plus brutal de Stryker et à son manque de sympathie aux problèmes personnels variés des recrues, mais sa détermination de les moisir dans les militants aide à sauver leurs vies quand l’escouade est posée à Tarawa en novembre de 1943 et Stryker risque sa vie pour exagérer un bunker japonais qui a abattu des Fusiliers marins piégés à un mur de rondin. L’escouade maintenant évaluée de bataille devient le plus de-près-tricot et le rapport de Stryker avec les hommes warms comme l’escouade se trouve finalement dans la bataille d’île la plus ensanglantée de la guerre, à Iwo Jima.

The hysteria seizes Califórnia following to the bombing of the port from Pearl like an assorted group of defenders tries to do the defensible coast against a Japanese invasion imagined in this great budget, great comedy of form. Members of an underwater observer of crew Japanese it had gone to madness.

A histeria agarra Califórnia seguindo-se ao bombardeio do porto de Pérola como um grupo sortido de defensores tenta fazer a costa defensável contra uma invasão japonesa imaginada neste grande orçamento, grande comédia de forma. Membros de um observador de tripulação submarino japonês fora a loucura.

Two or three professional time-baby meet Roy and Franc, deceive artists. That Roy, a veteran of the grift and Franc, its ambitious prot Ð and *185; g Ð and *185; embezzle these days are *quot; the systems of filtering of water, *quot; the filters of water of floor of balances bought by credulous people who pay their value for ten times to earn prices simulated as cars, jewelry and abroad vacations*mdash; that they never gather. This net of frauds the men flim-flam some hundreds here, another thousand there, which adds up to a profitable association finally. The private life of Roy, however, is not so successful. Agoraphobe compelling-obsessive without personal reports to call sound own, Roy is barely fond of his secret relations and when his idiosyncrasy begins threatening his criminal productiveness he is forced to search the help of a psychoanalyst only to keep it in working order. While Roy searches an express fix, his therapy procreates more that he negotiated for: revelation that it has teenager daughter*mdash; a child of whom he suspected existence, but has never dared to confirm. What more gets worried, Angela of 14 years wants to meet the father whom she has never known. At the beginning, Angela’s aspect disrupts the routine carefully ordered by his neurotic father. Soon, however, with his own unique turn on fatherhood, Roy begins appreciating a report that he has never dreamed about credit with his daughter. But while it develops paternal feelings for the 14-year-old person, it develops a fascination with papa’s debatable career.

Rencontrez Roy et Franc, deux ou trois professionnel fois-petit trompent des artistes. Que Roy, un vétéran du grift et Franc, son prot ambitieux Ð ¹ g Ð ¹, escroquent ces jours-ci sont "les systèmes de filtration d’eau," les filtres d’eau d’étage de soldes achetés par les gens crédules qui paient à dix fois leur valeur pour gagner des prix simulés comme les voitures, la bijouterie et à l’étranger vacations*mdash; qu’ils ne recueillent jamais. Ce filet d’escroqueries les hommes flim-flam quelques centaines ici, un autre mille là, qui ajoute finalement jusqu’à une association lucrative. La vie privée de Roy, pourtant, n’est pas si réussie. Agoraphobe compulsif-obsessif sans rapports personnels pour appeler son propre, Roy tient à peine à ses intelligences et quand ses idiosyncrasies commencent à menacer sa productivité criminelle il est forcé à chercher l’aide d’un psychanalyste juste pour le garder dans l’ordre travaillant. Pendant que Roy cherche un rapide fixent, sa thérapie engendre plus qu’il a négocié pour : la révélation qu’il a daughter*mdash adolescent; un enfant dont il a soupçonné l’existence, mais n’a jamais osé confirmer. Ce qui plus s’inquiète, Angela de 14 ans veut rencontrer le père qu’elle ne connaissait jamais. Au début, l’aspect d’Angela désorganise la routine soigneusement ordonnée de son père névrotique. Bientôt, pourtant, avec son propre tour unique sur la paternité, Roy commence à apprécier un rapport qu’il n’a jamais rêvé d’avoir avec sa fille. Mais pendant qu’il développe des sentiments paternels pour la personne de 14 ans, elle développe une fascination avec la carrière discutable de Papa.

A baby, the obviously inoffensive spool of plastic of film leads the specialist of surveillance Tom Welles (Nicolas Cage) down a more and more dark and frightening track. With the help of Max streetwise (Joaquin Phoenix), Welles follows a strange lane of obviousness relentlessly to determine the destiny of a complete foreigner. As his job is transformed into fixed idea, it derives from his wife (Catherine Keener), family and simple life as a local-small private eye farther and farther.

Un petit, la bobine apparemment inoffensive de plastique de film mène le spécialiste de surveillance Tom Welles (Nicolas Cage) en bas un sentier de plus en plus sombre et effrayant. Avec l’aide de Max streetwise (Joaquin Phoenix), Welles suit implacablement une piste bizarre d’évidence pour déterminer le destin d’un étranger complet. Comme son travail se transforme en obsession, il dérive plus loin et plus loin de sa femme (Catherine Keener), famille et vie simple comme un oeil privé municipal-petit.