DivX Movie

Based on S. E. Novel of Hinton of the same name. Tension between two groups: Greasers and Socials *quot; Socs*quot; put Ponyboy Curtis (Howell) and his best friend Johnny Cade (Macchio) in a poor stain. One night in films, Ponyboy and Johnny fall in love with the Pelmet *quot; red cerise*quot; Sherri (the Small road) and Marcia (Meyrink) as soon as they arrive Flirts Winston (Dillon), most resistant and the most medium of Greasers to stop trying *quot; of marquer*quot; the Cherry and Marcia. That Johnny and Ponyboy do not know is that the Cherry and Marcia daughters for the group are snob, popular and rich, Ploughshares. As soon as Johnny kills Cup in the square Sheldon (Garrett), the most resistant and most medium member of Ploughshares, it begins as Ploughshares ask for a roar against Greasers.

Basé sur le S. E. Roman de Hinton du même nom. La tension entre deux groupes : le Greasers et le Socials "Socs" mettent Ponyboy Curtis (Howell) et son meilleur ami Johnny Cade (Macchio) dans une mauvaise tache. Une nuit aux films, Ponyboy et Johnny tombent amoureux du Lambrequin "Rouge cerise" Sherri (la Petite route) et Marcia (Meyrink) dès qu’ils arrivent Flirtent Winston (Dillon), le plus résistant et le plus moyen du Greasers pour arrêter d’essayer "de marquer" la Cerise et Marcia. Que Johnny et Ponyboy ne savent pas est que la Cerise et Marcia sont des filles pour le groupe snob, populaire et riche, le Socs. Dès que Johnny tue Coupe au carré Sheldon (Garrett), le membre le plus résistant et le plus moyen du Socs, cela commence comme les Socs demandent un grondement contre le Greasers.

THE GUIDE OF THE PERVERT TO THE MOVIES takes the spectator in a stimulant walk along some major movies one day made. The portion as presenter and guide is a charismatic Slavoj Zizek, acclaimed philosopher and psychoanalyst. With his hiring and approach excited to the thought, Zizek digs in the language hidden from the movies, uncovering what the movies can say to us on us. If he unravels the marvelously well incomprehensible movies of David Lynch, or it overturns everything that you thought that you knew on Hitchcock, Zizek illuminates the screen with his passion, intellect, and unfailing sense of the humor. THE GUIDE OF THE PERVERT TO THE MOVIES cuts his cloth of the very world ones of the movies about which this speaks; shooting to original positions and of games of reply this creates the strange illusion that Zizek speaks ‘ of inside ‘ ‘of’ the movies they themselves. Together three parts construct an irresistible dialectics of ideas. Described in the Times in London as ‘ the woman helming this Freudian investigation, ‘ the collaboration of the director Sophie Fienne with Slavoj Zizek illustrates the urgency with which the movie and the television can communicate complex ideas. Zizek says: ‘ my big obsession must clarify things. Really I can explain a way of thinking if I can illustrate it somehow in a scene of a movie. THE GUIDE OF THE PERVERT TO THE MOVIES is really on what the psychoanalysis can say to us on the movies. ‘.

LA GUÍA DEL PERVERTIDO AL CINE toma al espectador en un paseo estimulante por algunas mayores películas alguna vez hechas. La porción como presentador y guía es Slavoj carismático Zizek, filósofo aclamado y psicoanalista. Con su contratación y acercamiento apasionado al pensamiento, Zizek cava en la lengua escondida del cine, destapando lo que las películas pueden decirnos sobre nosotros. Si él desenmaraña las películas estupendamente bien incomprensibles de David Lynch, o vuelca todo que usted pensó que usted sabía sobre Hitchcock, Zizek ilumina la pantalla con su pasión, intelecto, y sentido indefectible del humor. LA GUÍA DEL PERVERTIDO AL CINE corta su tela de las muy mundiales de las películas de las que esto habla; disparando a posiciones originales y de juegos de réplica esto crea la ilusión extraña que Zizek habla ‘de dentro’ ‘de’ las películas ellos mismos. Juntos las tres partes construyen una dialéctica irresistible de ideas. Descrito por los Tiempos en Londres como ‘la mujer helming esta investigación freudiana,’ la colaboración del director Sophie Fienne con Slavoj Zizek ilustra la urgencia con la cual la película y la televisión pueden comunicar ideas complejas. Dice Zizek: ‘mi obsesión grande debe aclarar cosas. Realmente puedo explicar una manera de pensar si puedo ilustrarlo de alguna manera en una escena de una película. LA GUÍA DEL PERVERTIDO AL CINE es realmente sobre lo que la psicoanálisis puede decirnos sobre el cine. ‘.

I WANT THE BONBON follow two guys full of hope of Leatherhead trying to enter of force the films which stumble over the opportunity of a life. Reduced to nonexistence by their teacher of film of type artist (the Crook of Mackenzie), wannabe the producer Joe (Tom Riley) and his friend of gifted but neurotic manager Eating (Tom Burke) the head in London to sell that they know a script made some gold is.

JE VEUX LE BONBON suit deux gars pleins d’espoir de Leatherhead essayant d’entrer de force dans les films qui trébuchent sur l’opportunité d’une vie. Réduit à néant par leur enseignant de film du genre artiste (la Houlette de Mackenzie), wannabe le producteur Joe (Tom Riley) et son ami de directeur doué mais névrotique Bouffant (Tom Burke) la tête à Londres pour vendre qu’ils savent est un script fait de l’or.

The parents of Kevin McCallister have split. Now living with his mummy, he decides to spend Christmas with his daddy in the mansion of the rich friend of his father, Natalie. In the meantime, wholesalers of the robber combine Marv, one of the rascals of the first two cinemas, with a new criminal called Vera to hit the mansion of Natalie.

Die Eltern von Kevin McCallister haben aufgeteilt. Jetzt mit seiner Mama lebend, entscheidet er sich dafür, Weihnachten mit seinem Vati am Herrenhaus der reichen Freundin seines Vaters, Natalie auszugeben. Inzwischen vereinigen Großhändler des Räubers Marv, einer der Bengel vom ersten zwei Kino, mit einem neuen Verbrecher genannt Vera, um das Herrenhaus von Natalie zu schlagen.

Martin Riggs and Roger Murtaugh, after the death that escapes from the prior movies are put in a list of incidents by the Sets of Three. When the blood the mercenaries with thirst are in his tail they group together again with Leo Getz and Lorna Cole, new-comer (Chris Rock) to put end finally in the Sets of Three for good.

Martin Riggs e Roger Murtaugh, depois da morte que escapa dos filmes prévios são postos em uma lista de ocorrências pelos Conjuntos de Três. Quando o sangue os mercenários com sede estão no seu rabo eles agrupam-se novamente com Leo Getz e Lorna Cole, recém-chegado (Chris Rock) para pôr fim finalmente nos Conjuntos de Três para bom.

Tommy Chong of the team of fabled comedy Cheech and Chong’s stars in this joke of terror of a pipe of water had by mediocre spirits which begin terrorizing a potheads with a natural check. A homage to the films of terror of B-qualité and to the culture of pot, MEDIOCRE BONG is played for absurdity and small laughs, by turning topics of film of terror and pictures on the ear.

Tommy Chong de l’équipe de comédie légendaire Cheech et les étoiles de Chong dans cette blague d’horreur d’une pipe d’eau possédée par de méchants spiritueux qui commencent à terroriser un potheads qui a un bon naturel. Un hommage aux films d’horreur de B-qualité et à la culture de pot, MÉCHANT BONG est joué pour l’absurdité et les petits rires, en tournant des thèmes de film d’horreur et des images sur leur oreille.

David and Amy Fox are found allow to run aground at the end of the world if her car breaks down. Fortunately, they bump into a motel with a television to maintain them during her overnight stay. However, there is a little bit very much stranger and confidant about the Rang-Z the slasher cinema which transfers the motel for the pleasure of his guests. They appear everything to be filmed in the same room which they take! The understanding that they are caught in her room with concealed cameras now directed on them her every movement, David and Amy desperately filming, finds means of the escape by closed doors, crawlspaces and subterranean tunnels, before they also become the newest stars of the following cult classic of the film-maker of the mystery!.

David und Amy Fox finden sich stranden lassen am Ende der Welt, wenn ihr Auto zusammenbricht. Glücklicherweise stoßen sie auf ein Motel mit einem Fernsehen, um sie während ihrer Übernachtung zu unterhalten. Jedoch gibt es etwas sehr Fremdes und Vertrautes über den Rang-Z slasher Kino, das das Motel für das Vergnügen seiner Gäste überträgt. Sie alle scheinen, in selbem Zimmer gefilmt zu werden, das sie besetzen! Verständnis, dass sie in ihrem Zimmer mit verborgenen Kameras jetzt gerichtet auf sie gefangen werden, ihre jede Bewegung, David und Amy verzweifelt filmend, findet ein Mittel der Flucht durch geschlossene Türen, crawlspaces und unterirdische Tunnels, bevor sie auch die neuesten Sterne des folgenden Kultklassikers des Filmemachers des Mysteriums werden!.