Posts Tagged ‘marketing’

Fast Food Nation (2006)

Wednesday, September 17th, 2008
Genres: Drama
Countries: UK | USA
Actors: Wilmer Valderrama | Catalina Sandino Moreno | Ana Claudia Talancón | Juan Carlos Serrán | Armando Hernández | Greg Kinnear | Frank Ertl | Michael D. Conway | Mitch Baker | Ellar Salmon | Dakota Edwards | Dana Wheeler-Nicholson | Luis Guzmán | Bobby Cannavale | Francisco Rosales
Directors: Richard Linklater
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Don Anderson (Greg Kinnear) is Mickey Nahrungsmittelrestaurant-Kettenmarktdirektor Nahrungsmittelrestaurant-Kettenmarktdirektor. He is the inventor “Largely a” shop assistant best the hamburger of Mickey. Independent research reports the presence of the feces of the cow in the tallness. . During his investigations he discovers the awful truth behind an easy hamburger; the reality is not similarly we think that it is. Don discovers that the mass production system of the time secretary-workers encloses like amber (Ashley Jonhson) for the exploitation of Mexican irregular immigrants. It is not only the meat which is a pressure in the Mincingmaschine, but our whole society.

Don Anderson (Greg Kinnear) ist Mickey Nahrungsmittelrestaurant-Kettenmarktdirektor. Er ist der Erfinder “Groß Ein” der Hamburger bester Verkäufer von Mickey. Unabhängige Forschungsberichte die Anwesenheit der Fäkalien der Kuh im Großen. So wird Don zu Cody, Colorado gesandt, um nachzuprüfen, ob das Schlachthaus, Hauptlieferant von Mickey, effizient ist, wie es erscheint und der Produktionsprozess regelmäßig ist. Während seiner Untersuchungen entdeckt er die schreckliche Wahrheit hinter einem einfachen Hamburger; die Wirklichkeit ist nicht ähnlich wir denken, dass es ist. Don entdeckt, dass das Massenproduktionssystem von den Zeitsekretärin-Arbeitern wie Bernstein (Ashley Jonhson) zur Ausnutzung von mexikanischen unregelmäßigen Einwanderern einschließt. Es ist nicht nur das Fleisch, das Druck in der Mincingmaschine, aber unsere ganze Gesellschaft ist.

Kate & Leopold (2001)

Thursday, April 3rd, 2008
Genres: Comedy | Fantasy | Romance | Sci-Fi
Countries: USA
Actors: Meg Ryan | Hugh Jackman | Liev Schreiber | Breckin Meyer | Natasha Lyonne | Bradley Whitford | Paxton Whitehead | Spalding Gray | Josh Stamberg | Matthew Sussman | Charlotte Ayanna | Philip Bosco | Andrew Jack | Stan Tracy | Kristen Schaal
Directors: James Mangold
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Kate and his actor’s brother live in N. Y. in the 21st century. His friend of ex-boy, Stuart, lives above his apartment and this space thinks near to the Bridge of Bruklin where there is a slit the time. He returns to eighteen hundreds and takes pictures of the place. Leopold, man who lives in the 1870’s, was confused by the very small camera of Stuart and it decides to follow it and both they ended in this century. Leopold is without track on his new way. He acquires help and discernment of Charlie what he thinks that Leopold is an actor who is always in the character. Leopold is a highly intelligent man and it tries best his to learn and to improve up to the modern conveniences that he finds.

Kate e o seu irmão de ator vivem em N. Y. no 21o século. O seu amigo de ex-rapaz, Stuart, vive acima do seu apartamento e encontra este espaço perto da Ponte de Bruklin onde há uma fenda a tempo. Ele volta às dezoito centenas e toma quadros do lugar. Leopold, homem que vive nos anos 1870, foi confundido pela câmera muito pequena de Stuart e decide segui-lo e ambos eles terminaram neste século. Leopold é sem vestígio sobre o seu novo meio. Ele adquire-se ajuda e discernimentos de Charlie que pensa que Leopold é ator que está sempre no caráter. Leopold é um homem altamente inteligente e tenta o seu melhor para aprender e melhorar até as conveniências modernas que ele encontra.

Liberty Stands Still (2002)

Monday, March 31st, 2008
Genres: Drama | Thriller
Countries: Canada | Germany
Actors: Wesley Snipes | Linda Fiorentino | Oliver Platt | Martin Cummins | Jonathan Scarfe | Ian Tracey | Brian Markinson | Jeff Seymour | Roger R. Cross | Hart Bochner | Tanya Allen | Ed Anders | Brett Armstrong | Scott J. Ateah | Fulvio Cecere
Directors: Kari Skogland
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The freedom Wallace, who sees in Los angeles, is uncomfortable in no way of its links towards the business of weapon. Freedom is a key player for Industries McCloud, one of the biggest producers of gun in the United States. She is the vice-president de Marketing, she is the daughter of the founder of the company and her husband is the managing director cruelly from the company, the merchant of first arm of America, Victor Wallace. While the ancient war hero Victor is occupied by trafficing in the international weaponry, Freedom uses its pauses of business to fulfil an affair with the actor Russell Williams. The scales of their marriage move when an embusqué shooter conscript Joe draws away his gun on Freedom as it walks by a park of Los angeles occupied how it meets with Russell. Joe calls Freedom on his cell telephone and orders Freedom to take place handcuffs in seller’s wagon of close hot-dog *mdash; wrists are already there. Freedom has no intention to submit in v and * 339; ux of Joe *mdash; until Joe begins drawing blows. Quickly persuaded, Freedom closes up in the market booth, only learn that it is loaded with enough explosives to take out a block of the city. If she asks for help, hangs the telephone, tempers the telephone, or almost collaborates, the bomb will leave. Joe also tied a bomb to Russell, who is now trapped in his cloakroom in a local theatre. Freedom realizes that she cannot buy her way of this situation and it is forced to consider the request of Joe for a forum of antigun. Reason why Joe fact is because his daughter was fatally drawn by a scholastic schoolmate who used a gun which was fabricated by Industries McCloud. The death of a child can break the mental scales of a parent. Now, Joe shows in Freedom that he resembles to be over the other end of the weapon and to show in Freedom terror of that she had a blind person are productive during years. The victor obviously swapped illegal business without the knowledge of Freedom, them who followed in easier approach in weapon for the dealers of the street *mdash; those that sold the weapon which killed the daughter of Joe. Following the death of his daughter, Joe wants Freedom to use his political connections and this incident to provoke a public debate on the Second Amendment. In spite of his past as an agent of CIA, Joe supports no more definite right to carry arms. Joe allows Freedom to know that she is going to die, but that she can die a hero if she displays the shady relations of business of the company and political connections before she is killed. As Joe controls it and records every movement, Freedom reveals secrets of its clean past and its business acquaintances. When the Victor, also with an affair, learns that Freedom was taken the hostage, it is torn between the protocol *mdash of company following; fact to protect by allowing him and in Freedom to be killed *mdash; and by trying to help it.

La liberté Wallace, qui vit à Los Angeles, n’est pas du tout inconfortable de ses liens vers les affaires d’armes. La liberté est un joueur clé pour les Industries McCloud, un des plus grands fabricants de fusil dans les États-Unis. Elle est le Vice-président de Marketing, elle est la fille du fondateur de la compagnie et son mari est le directeur général sans pitié de la compagnie, le négociant de bras premier de l’Amérique, Victor Wallace. Pendant que l’ancien héros de guerre Victor est occupé en trafiquant dans les armements internationaux, la Liberté utilise ses pauses d’affaires pour accomplir une affaire avec l’acteur Russell Williams. La balance de leur mariage se déplace quand un tireur embusqué appelé Joe entraîne son fusil sur la Liberté comme elle marche par un parc de Los Angeles occupé sur sa façon de se rencontrer avec Russell. Joe appelle la Liberté sur son téléphone cellulaire et ordonne à la Liberté de se passer les menottes à un chariot de vendeur de hot-dog proche *mdash; les poignets sont déjà là. La liberté n’a aucune intention de se soumettre aux vœux de Joe *mdash; jusqu’à ce que Joe ne commence à tirer des coups. Vite convaincu, la Liberté se ferme à l’éventaire, seulement apprendre qu’il est chargé d’assez d’explosifs pour sortir un bloc de la ville. Si elle demande l’aide, accroche le téléphone, tempère le téléphone, ou manque de coopérer, la bombe partira. Joe a aussi attaché une bombe à Russell, qui est maintenant piégé dans son vestiaire à un théâtre local. La liberté se rend compte qu’elle ne peut pas acheter sa voie de cette situation et elle est forcée à considérer la demande de Joe pour un forum d’antifusil. La raison pourquoi Joe le fait est parce que sa fille a été mortellement tirée par un camarade de classe scolaire qui a utilisé un fusil qui a été fabriqué par les Industries McCloud. La mort d’un enfant peut casser la balance mentale d’un parent. Maintenant, Joe démontre à la Liberté qu’il ressemble pour être sur l’autre fin de l’arme et montrer à la Liberté les horreurs de qu’elle a eu un aveugle rendent pendant les années. Le vainqueur a apparemment troqué des affaires illégales sans la connaissance de Liberté, les qui se sont ensuivis dans l’approche plus facile aux armes pour les commerçants de la rue *mdash; ceux qui a vendu l’arme qui a tué la fille de Joe. À la suite de la mort de sa fille, Joe veut la Liberté d’utiliser ses connexions politiques et cet incident pour susciter une discussion publique sur le Deuxième Amendement. En dépit de son passé comme un agent de CIA, Joe ne soutient plus le droit explicite de porter des bras. Joe permet à la Liberté de savoir qu’elle va mourir, mais qu’elle peut mourir un héros si elle expose les relations ombragées d’affaires de la compagnie et les connexions politiques avant qu’elle est tuée. Comme Joe la contrôle et enregistre chaque mouvement, la Liberté révèle des secrets de son passé propre et ses relations d’affaires. Quand le Vainqueur, qui a aussi une affaire, apprend que la Liberté a été prise l’otage, il est déchiré entre le protocole *mdash de compagnie suivant; le fait de protéger lui et en permettant à la Liberté d’être tuée *mdash; et en essayant de l’aider.

Thank You for Smoking (2005)

Thursday, October 4th, 2007
Genres: Comedy
Countries: USA
Actors: Aaron Eckhart | Maria Bello | Cameron Bright | Adam Brody | Sam Elliott | Katie Holmes | David Koechner | William H. Macy | J.K. Simmons | Robert Duvall | Kim Dickens | Rob Lowe | Todd Louiso | Dennis Miller | Joan Lunden
Directors: Jason Reitman
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Tobacco industry lobbyist Nick Naylor has an apparently impossible task: Support of the cigarette which smokes in a time when the health risks of the activity have become too easy to ignore. Nevertheless, incision indulges itself in his job, argument and rotated logic using to lay as often, like not, his customers in the positions either from altruistic starry-eyed idealists or from victims. The son of the incision Joey must understand and respect the philosophy of his daddy, and Cut work hard to answer to this need without bringing his lack of values in embarrassment. If a nice news reporter betrays the sexually achieved trust of the incision, his world appears in the danger of the Einstürzens. But there is always one more coffin nail in the sentence of the incision.

Tabakindustrielobbyist Nick Naylor hat eine anscheinend unmögliche Aufgabe: Förderung der Zigarette, die in einer Zeit raucht, als die Gesundheitsrisikos der Tätigkeit zu einfach geworden sind, um zu ignorieren. Einschnitt schwelgt jedoch in seinem Job, Argument und gedrehte Logik verwendend, um ebenso häufig zu legen, wie nicht, seine Kunden in den Positionen entweder von altruistischen Weltverbesserern oder von Opfern. Der Sohn des Einschnitts Joey muss verstehen und die Philosophie seines Vatis respektieren, und Arbeiten hart Einschneiden, um auf dieses Bedürfnis zu antworten, ohne seinen Mangel an Werten in Verlegenheit zu bringen. Wenn ein schöner Nachrichtenreporter das sexuell erreichte Vertrauen des Einschnitts verrät, scheint seine Welt in der Gefahr des Einstürzens. Aber es gibt immer einen mehr Sarg-Nagel im Satz des Einschnitts.

Super Size Me (2004)

Thursday, August 23rd, 2007
Genres: Comedy | Documentary
Countries: USA
Actors: John Banzhaf | Kelly Brownell | Ron English | Ron English | Jared Fogle | Don Gorske | Samuel Hirsch | Dr. Daryl Isaacs | Michael Jordan | William Kish | Ronald McDonald | John Robbins | David Satcher | Dr. Stephen Siegel
Directors: Morgan Spurlock
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Why the Americans are so big? Two words: fast food restaurant. What would arrive if you ate the fast food restaurant anything during whole month? The film-maker Morgan Spurlock made fair it and undertakes the most perilous trip of its life. Rules? For 30 days he can eat or drink nothing it that is not on the menu of McDonald; he owes the wolf three squares a day; he must use everything on the menu at least once and supergreatness his so asked meal. The walkings of Spurlock across the country interviewing a crowd of the experts on the fast food restaurant and an equal number of regular people while chowing down in Gold arches. Spurlock exhausting pass by car of spirals of regime shone in a physical and emotional transformation which will make you think twice to pick up another Grand Mac.

Pourquoi les américains sont si gros ? Deux mots : fast-food. Ce qui arriverait si vous avez mangé rien que le fast-food pendant un mois entier ? Le cinéaste Morgan Spurlock fait juste cela et entreprend le voyage le plus périlleux de sa vie. Les règles ? Depuis 30 jours il ne peut manger ou boire rien ce qui n’est pas sur le menu de McDonald; il doit le loup trois carrés par jour; il doit consommer tout sur le menu au moins une fois et la supergrandeur son repas si demandé. Les randonnées de Spurlock à travers le pays interviewant une foule des experts sur le fast-food et un nombre égal de gens réguliers pendant que chowing en bas aux Arcs D’or. Spurlock épuisant passe en voiture des spirales de régime lui dans une métamorphose physique et émotionnelle qui vous fera penser deux fois du fait de ramasser un autre Grand Mac.

The Prize Winner of Defiance, Ohio (2005)

Monday, May 7th, 2007
Genres: Drama
Countries: USA
Actors: Julianne Moore | Woody Harrelson | Laura Dern | Trevor Morgan | Ellary Porterfield | Simon Reynolds | Monté Gagné | Robert Clark | Michael Seater | Erik Knudsen | Jake Scott | Jordan Todosey | Ryan Price | Shae Norris | Abigail Falle
Directors: Jane Anderson
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*quot; sweet and sour based drama of this one *quot; real history follows Evelyn Ryan (Julianna Moore) who was a housewife and a faithful mother of 10. His notable ingenuity and a slightly common ingenuity had the success in the competition of clink organized by corporations to promote his products. Evelyn had found the way of keeping his family together, nevertheless an alcoholic husband and other difficult circumstances.

El " drama agridulce basado de esta "historia verdadera sigue a Evelyn Ryan (Julianna Moore) quién era un ama de casa y una madre fiel de 10. Su ingenio notable y un ingenio poco común tenían el éxito en la competición de tintineo organizada por corporaciones para promover sus productos. Evelyn había encontrado el modo de guardar su familia juntos, no obstante un marido alcohólico y las otras circunstancias difíciles.

Any Given Sunday (1999)

Monday, February 12th, 2007
Genres: Drama | Sport
Countries: USA
Actors: Al Pacino | Cameron Diaz | Dennis Quaid | James Woods | Jamie Foxx | LL Cool J | Matthew Modine | Jim Brown | Lawrence Taylor | Bill Bellamy | Andrew Bryniarski | Lela Rochon | Lauren Holly | Ann-Margret | Aaron Eckhart
Directors: Oliver Stone
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When a devastating blow is struck by a legend of professional soccer and field marshal Cap Rooney (Denis Quaid) of the game, the third one - stringer young man, stranger is called to replace him. Having mounted the bank for years due to a rope of histories of bad luck and character perhaps insufficiently, Willie Beaman (Jamie Foxx) seizes what can be his last possibility, and illuminates the field with a raw demonstration of the athletic value. His bewildering interpretation more several games are so exceptional and fresh it seems to augur a new age in the history of this license of Miami, and forces Tony of aged trainer D’Amato (Al Pacino) to revalue his approved values and strategies and to begin to face the fact that the game, as well as postmodern life can spend for him. The addition to the pressure in D’Amato to win in any cost is young aggressive President/Co-owner of the team, Christina Pagniacci (Cameron Diaz), now entering her proper after the death of his father. The desire of Christina’s conduction to be demonstrated in the dominated world of a male is intensified by his focus in the marketing and the business of the soccer, in which all the trainers and the players are simply properties.

Cuando un golpe devastador golpea una leyenda de fútbol profesional y mariscal de campo Cap Rooney (Denis Quaid) del juego, un tercero-stringer joven, desconocido es llamado para sustituirle. Habiendo montado el banco durante años debido a una cuerda de historias de mala suerte y carácter quizás insuficiente, Willie Beaman (Jamie Foxx) agarra lo que puede ser su última posibilidad, e ilumina el campo con una demostración cruda del valor atlético. Su interpretación aturdidora más de varios juegos son tan excepcionales y frescos parece augurar una nueva era en la historia de esta licencia de Miami, y obliga a Tony de entrenador envejecido D’Amato (Al Pacino) a revaluar sus valores aprobados y estrategias y comenzar a encarar el hecho que el juego, así como vida postmoderna puede pasar por él. La adición a la presión en D’Amato para ganar en cualquier coste es President/Co-owner joven agresivo del equipo, Christina Pagniacci (Cameron Diaz), ahora entrando en ella propio después de la muerte de su padre. El deseo de conducción de Christina de demostrarse en el mundo dominado de un varón es intensificado por su foco en la mercadotecnia y el negocio del fútbol, en el cual todos los entrenadores y los jugadores son simplemente propiedades.