Posts Tagged ‘classical-music’
|
Tuesday, February 16th, 2010 |
|
|
How far is a man willing to go to be with the woman he wants? Erika is a veteran piano instructor at a famous music conservatory in Vienna. Erika is highly respected for her remarkable talent and strong discipline, but she's also known to be a harsh taskmistress and does not suffer fools gladly; among her students, Erika's class is considered a highly rewarding challenge, but difficult to weather. Erika seems to get her stern and unforgiving nature from her mother, with whom she still lives, and without a husband or a lover, Erika satisfies her strong but frequently perverse sexual appetites through extreme porn videos, voyeurism, and masturbatory practices that sometimes involve pain and self-mutilation. Erika discovers she has attracted the attentions of one of her students, Walter, a gifted and good-looking young man who does not seem at all put off by her icy personality. She refuses to acknowledge Walter's romantic overtures, but when he rises to the defense of a fellow student after a recital, Erika is enraged, and Walter pursues her, finally following her as she storms off to the women's room. Erika abruptly approaches Walter in a rough sexual fashion, but refuses to fully satisfy him until he is willing to allow her to control the relationship. When Walter becomes aware of just how much pain and humiliation is involved in Erika's erotic bill of fare, he refuses to participate, but in time his attraction to her causes him to weaken, and he begins to accede to her sexual demands. |
|
Tuesday, February 16th, 2010 |
|
|
Three Colors: Blue is the first part of Kieslowski's trilogy on France's national motto: Liberty, Equality, and Fraternity. Blue is the story of Julie who loses her husband, an acclaimed European composer and her young daughter in a car accident. The film's theme of liberty is manifested in Julie's attempt to start life anew free of personal commitments, belongings grief and love. She intends to spiritually commit suicide by withdrawing from the world and live completely independently, anonymously and in solitude in the Parisian metropolis. Despite her intentions, people from her former and present life intrude with their own needs. However, the reality created by the people who need and care about her, a surprising discovery and the music around which the film revolves heals Julie and irresistably draws her back to the land of the living. |
|
Monday, February 15th, 2010 |
|
|
Antonio Salieri believes that Mozart's music is divine. He wishes he was himself as good a musician as Mozart so that he can praise the Lord through composing. But he can't understand why God favored Mozart, such a vulgar creature, to be his instrument. Salieri's envy has made him an enemy of God whose greatness was evident in Mozart. He is set to take revenge. |
|
Wednesday, June 10th, 2009 |
|
|
Ludwig van Beethoven dies and his assistant/friend Schindler proceeds to deal with his affairs (last will and testament). There is a question as to who really is his "immortal beloved", and so tries to find out who this might be. |
|
Wednesday, June 10th, 2009 |
|
|
Ludwig van Beethoven dies and his assistant/friend Schindler proceeds to deal with his affairs (last will and testament). There is a question as to who really is his "immortal beloved", and so tries to find out who this might be. |
|
|
In the mid-'70s, a cult group called Unity Field commits mass suicide, but a young girl survives. After being in a coma for thirteen years she wakes up in a psyche ward, not remembering the incident. The psychiatrist tries to help her remember, but she begins seeing the leader of the cult talking to her from the grave, and the other members of her therapy group begin to commit suicide around her. Or is it suicide? |
|
|
In this actualisation of masterpiece-film mixture of Disney of the sign cartoon and the music new interpretations are presented by big works of the music. It begins with an abstract fight of the light and darkness sentence to the music of the fifth symphony of Beethoveen. Then we see the adventures of a hump whale fish calf and his sheet sentence to *quot; to pines of Rome. *quot; as the next the humourous history of several lives in the 1930s is New York city, scalloped with *quot; rhapsody in blue. *quot; follower is a music narrative of the fairy tale, *quot; the Feste*quot; soldier-tin sentence to the piano concert of Dmitri Shostakovich Nein. 2. Then a stupid flamingo causes devastation in his cookers with his yo-yo to the melody of the finale *quot; carnivals of the animals. *quot; to him is followed by the classical result of the original film, *quot; if the apprentice of the Zauberers*quot followed; the leading role playing Mickymaus and by *quot; splendour and Umstand*quot; the leading role to playing Donald Duck as a laid waste assistant Noah on his ark. In the end, we see the awful fairy tale of the life, the death and the renewal of a wood in a result, they the composition, *quot; the Baltimore-Trupial points. *quot;.
In dieser Aktualisierung von Meisterwerk-Filmmischung des Disney des Zeichentrickfilms und der Musik werden neue Interpretationen von großen Arbeiten der Musik präsentiert. Es beginnt mit einem abstrakten Kampf des Lichtes und Finsternis-Satzes zur Musik der Fünften Symphonie von Beethoveen. Dann sehen wir die Abenteuer eines Buckel-Walfisch-Kalbes und seines Schote-Satzes zu "Den Kiefern Roms. " Als nächstes ist die humourous Geschichte von mehreren Leben in den 1930er Jahren New York City, eingekerbt mit der "Rhapsodie in Blau. " Folgender ist ein Musikerzählen vom Märchen, "Der Feste" Soldat-Zinnsatz zum Klavier-Konzert von Dmitri Shostakovich Nein. 2. Dann verursacht ein doofer Flamingo Verwüstung in seiner Herde mit seinem Jo-Jo zur Melodie des Finales des "Karnevals der Tiere. " Dem wird von der klassischen Folge vom ursprünglichen Film gefolgt, "folgte der Lehrling des Zauberers" die Hauptrolle spielende Mickymaus und durch den "Prunk und Umstand" die Hauptrolle spielendem Donald Duck als ein verwüsteter Helfer Noah auf seiner Arche. Schließlich sehen wir das schreckliche Märchen des Lebens, des Todes und der Erneuerung eines Waldes in einer Folge, die die Zusammensetzung, "Der Baltimore-Trupial zeigt. ". |
|
Wednesday, June 4th, 2008 |
|
|
In the futurist Great Britain, a group of adolescents does commotion each night, beating and snatching incompetent victims. After one of the boys abolishes a revolt in the group, they impress it and leave it for the police officer to find. He accepts to try *quot; the therapy of aversão*quot; to shorten his prayer of chain. When he is consequently left to go out, he hates the violence, but the rest of his members of group is still after him.
Na Grã-Bretanha futurista, um bando de adolescentes faz rebuliço cada noite, batendo e arrebatando vítimas incapazes. Depois que um dos rapazes suprime uma revolta no bando, eles impressionam-no e deixam-no para a polícia para encontrar. Ele aceita tentar "a terapia de aversão" para encurtar a sua oração de cadeia. Quando ele é conseqüentemente deixado sair, ele odeia a violência, mas o resto dos seus membros de bando são ainda depois dele. |
|
Wednesday, May 14th, 2008 |
|
|
Based on the true history of Australian pianist David Helfgott, this enrapturing film concerns the card the first first and traumatic years. The narration of history in the flashback we see David as he grows and in a child prodigy while his father abuses him and his siblings with the memory of her childhood in Europe and the loss of his family in concentration camps. David breaks loose from his father finally and leaves for studying abroad, he is later subjected to a breakdown and comes back in Australia and a life in an institution. Many years ago later it is liberated and by several twists of destiny (in reality even more unlikely than the film represents) it begins play fact a piano in a bar before to be finally productive to the concert hall.
Basé sur la vraie histoire de pianiste australien David Helfgott, ce film ravissant porte sur la carte les premières années premières et traumatiques. La narration de l'histoire dans le flash-back nous voyons David comme il grandit et dans un enfant prodige pendant que son père abuse de lui et son siblings avec la mémoire de son enfance en Europe et la perte de sa famille dans les camps de concentration. David se détache finalement de son père et part pour faire les études à l'étranger, il subit plus tard une panne et revient en Australie et une vie dans une institution. Il y a beaucoup d'années plus tard il est libéré et par plusieurs tortillons de destin (en réalité encore plus improbable que le film décrit) il commence jouer d'un piano dans un bar auparavant le fait de rendre finalement à la salle de concert. |
|
Wednesday, August 15th, 2007 |
|
|
During the present day Montreal, a famous violin are known by Nicolo Bussotti, as *quot; the red violin, *quot; of it auctions. During the auction we let back for the development of the violin in the 17-th century Italy flash, and follow the violin because it his way by an Austrian's cloister of the 18-th century, a violinist does in the 19-th century Oxford, China during the cultural revolution, and back to Montreal where a collector tries, the identity and the secrets *quot; to start of the red violin. *quot;.
Am gegenwärtigen Tag werden Montreal, eine berühmte Geige von Nicolo Bussotti, bekannt als "die rote Geige," davon versteigert. Während der Versteigerung lassen wir zurück zur Entwicklung der Geige im 17. Jahrhundert Italien aufblitzen, und folgen der Geige, weil es seinen Weg durch ein Österreicher-Kloster des 18. Jahrhunderts, ein Geiger im 19. Jahrhundert Oxford, China während der Kulturellen Revolution, und zurück nach Montreal macht, wo ein Sammler versucht, die Identität und die Geheimnisse "der roten Geige einzusetzen. ". |
Current time is: 12 Mar 2010 15:21
