Archive for the ‘1992’ Category
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Thursday, February 18th, 2010 |
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Together with his trainer Xian, Kickbox champion David Sloan arrives in Rio de Janeiro for a show fight. Soon he's confronted with the darker sides of the city, when pocket picker Costa tries to steal his camera. He takes him and his beautiful sister Isabella under his wings and to his fight. There Isabella gains the attention of a ruthless white-slave agent, who happens to be his opponent Martin's manager. Not long until David needs to use his fighting skill also outside the ring. |
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Thursday, February 18th, 2010 |
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Delores is having an affair with her Mafia boss, Vince. Her career as a singer in Las Vegas is going nowhere and Vince won't divorce his wife and she goes to him to break it off, witnessing a murder Vince just ordered. Running from the club, she seeks police protection. They agree to hide her in the one place Vince would never look for her. She finds, to her chagrin, that it is a convent, where she must impersonate a nun. After several false starts, she is assigned to the convent's dismal choir. She challenges and reorganizes them to become a modern singing group. In this she is successful, and as the choir gets better, success brings it's own problems. |
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Wednesday, February 17th, 2010 |
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On her deathbed, a mother makes her son promise never to get married, which scars him with psychological blocks to a commitment with his girlfriend. They finally decide to tie the knot in Vegas, but a wealthy gambler arranges for the man to lose $65K in a poker game and offers to clear the debt for a weekend with his fiancée. Suddenly the man is insanely jealous, and pursues his fiancée and her rich companion, but finds pitfalls in his path as the gambler tries to delay his interference. |
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Wednesday, February 17th, 2010 |
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Set in South London, this surreal and atmospheric low-budget film takes an interesting approach to the vampire genre by focusing almost exclusively on the emotions of its tormented central character: reclusive, intellectual vampire Alex (Julian Sands). Alex chooses to prey only on criminals and street derelicts, devoting more of his time to pursue a greater hunger for books on the occult, a passion surpassed only by his tragic love for a beautiful woman whom he lost to his ancient rival, the vampire-hunting Edgar (Kenneth Cranham). Alex's past returns to haunt him in more ways than one: as he enters a tenuous relationship with a quiet, morose librarian (Suzanna Hamilton) whose sad-eyed beauty reminds him of his lost love, the still-vindictive Edgar -- now a vampire himself -- returns to settle the score by abducting her. Though leisurely paced, this seldom-seen sleeper is driven by excellent performances, gorgeous photography, and a simple but compelling script that artfully combines subtle chills with bittersweet romance (including fitting excerpts from Edgar Allan Poe's "Annabel Lee"), all draped in a fog-bound Gothic ambience of dripping candles, billowing curtains, and crumbling stone pillars. |
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Wednesday, February 17th, 2010 |
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El Mariachi just wants to play his guitar and carry on the family tradition. Unfortunately, the town he tries to find work in has another visitor...a killer who carries his guns in a guitar case. The drug lord and his henchmen mistake El Mariachi for the killer, Azul, and chase him around town trying to kill him and get his guitar case. |
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Wednesday, February 17th, 2010 |
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Wednesday, February 17th, 2010 |
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British couple Fiona and Nigel Dobson are sailing to Istanbul en route to India. They encounter a beautiful French woman, and that night Nigel meets her while dancing alone in the ship's bar. Later he meets her crippled American husband Oscar, who tells him their story... While living in Paris for several years trying to be a writer, he becomes obsessed with a woman he met by chance on a bus. He tracks her down and they start a steamy love affair. Soon Oscar finds himself enslaved body and soul by her love, and continues to tell Nigel the details of of the various stages of this relationship over a number of visits to Oscars cabin. |
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Wednesday, February 17th, 2010 |
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Essentially a prequel to David Lynch and Mark Frost's earlier tv series "Twin Peaks". The first half-hour or so concerns the investigation by FBI Agent Chet Desmond into the murder of waitress Teresa Banks. The film then cuts to one year later and follows the events during one week in the life of Laura Palmer, a story which was later to motivate much of the series. Contains a considerable amount of sex, drugs, violence, very loud music and inexplicable imagery. |
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Wednesday, February 17th, 2010 |
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Wednesday, February 17th, 2010 |
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Without words, cameras show us the world, with an emphasis not on "where," but on "what's there." It begins with morning, natural landscapes and people at prayer: volcanoes, water falls, veldts, and forests; several hundred monks do a monkey chant. Indigenous peoples apply body paint; whole villages dance. The film moves to destruction of nature via logging, blasting, and strip mining. Images of poverty, rapid urban life, and factories give way to war, concentration camps, and mass graves. Ancient ruins come into view, and then a sacred river where pilgrims bathe and funeral pyres burn. Prayer and nature return. A monk rings a huge bell; stars wheel across the sky. |
Current time is: 14 Mar 2010 18:32
