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New York, on 1959. Max Bialystock was once the king of Broadway, but supporting all his shows near on the preliminary night. Things turn round when it is visited by the neurotic accountant Léo Bloom, who offers a plan made-to-order for the producers who can only make chess: raise much more silver than you need, be then sure that show is despised. Nobody will be interested in it, therefore you can the pocket the surplus. At this end, they produce a Spring called musical for Hitler written by the avoided Nazi Franz Liebken. Then they accept Roger De Bris in a senseless manner flashing to aim. Finally, they rent as a first actress the Swedish stamped bomb Ulla (whose surname has more than 15 syllables). As the preliminary night approach, what can turn badly? Definitely, there representative of taste is not.

New York, 1959. Max Bialystock était une fois le roi de Broadway, mais maintenant tous ses spectacles près sur la nuit préliminaire. Les choses se retournent quand il est visité par le comptable névrotique Léo Bloom, qui propose un projet fait sur commande pour les producteurs qui peuvent seulement faire des échecs : levez beaucoup plus d’argent que vous avez besoin, assurez-vous ensuite que le spectacle est méprisé. Personne ne s’y intéressera, donc vous pouvez la poche le surplus. À cette fin, ils produisent un Printemps appelé musical pour Hitler écrit par le Nazi échappé Franz Liebken. Alors ils reçoivent Roger De Bris de façon insensée flamboyant pour diriger. Finalement, ils louent comme une première actrice l’obus suédois timbré Ulla (dont le nom de famille a plus de 15 syllabes). Comme la nuit préliminaire approche, qu’est-ce qui peut tourner mal ? Bien, là n’est pas représentant du goût.

Imagine a crucifix between the King _Lion, (on the 1994) _ (Qv) and _Back to the Partie II (1989) Intended _ (Qv). It is a separated thread of history, it of Rudder and Pumbaa, interlaced with original history. So, with the view of new events (e. g. The departure of Rudder of the colony meerkat, Rudder and the first meeting of Pumbaa, origin *quot; of Hakuna Matata*quot;), we end up see a new perspective on (and some before invisible reasons for) some of events in the original film. Oh, and all that is said in one _ *quot; the Theatre of Science of Mystery 3000*quot; (1988) _ (Qv) centres it, with Rudder and Pumbaa telling it and fact to communicate with the film *quot; onscreen*quot;.

Imaginez une croix entre le Roi _Lion, (le 1994) _ (qv) et _Back à la Partie II (1989) Future _ (qv). C’est un fil d’histoire séparé, ce de Timon et de Pumbaa, entrelacé avec l’histoire originale. Ainsi, avec la vue de nouveaux événements (e. g. Le départ de Timon de la colonie meerkat, Timon et la première réunion de Pumbaa, l’origine "de Hakuna Matata"), nous finissons voir une nouvelle perspective sur (et quelques causes auparavant invisibles pour) certains des événements dans le film original. Oh, et tout cela est dit dans un _ "le Théâtre de Science de Mystère 3000" (1988) _ (qv) le cadre, avec Timon et Pumbaa le racontant et le fait de communiquer avec le film "onscreen".

Thousand years of now, the foreigners destroy the Land in the fear of the project of Titan. Some human beings escape, being a trampled down Diáspora, living in impoverished agreements. The mysterious spaceship of Titan also escapes, and his inventor hid it before the death. A captain of spaceship and his pilot, Korso and Akima, two human beings, is looked by them That It Conceals, youthful son of the dead scientist and explains that what it should link they must help to be found by the Titan, which maintains a mechanism to join and to save the humanity. Conceal refuse, but the arrival of the murderer’s foreigners persuades joining Korso. Can he avoid his pursuers, know the friend of the enemy, find the Titan, and hug his humanity, a nature that he despised up to now?.

Mil anos de agora, os estrangeiros destroem a Terra no medo do projeto de Titã. Alguns seres humanos escapam, ficando uma Diáspora conculcada, vivendo em acordos empobrecidos. A nave espacial de Titã misteriosa também escapa, e o seu inventor escondeu-o antes da morte. Um capitão de nave espacial e o seu piloto, Korso e Akima, dois seres humanos, procuram Cale, filho juvenil do cientista morto e explicam que ele deve ajudá-los a encontrar o Titã, que mantém um mecanismo unir e salvar a humanidade. Cale recusa-se, mas a chegada dos estrangeiros de assassino persuade-o a juntar Korso. Ele pode evitar os seus perseguidores, conhecer o amigo do inimigo, encontrar o Titã, e abraçar a sua humanidade, uma natureza que ele desprezou até agora?.

The mother of Stuart is from him especially überfürsorglich if he escapes by the skin of the teeth injury in a football match. His big brother George has also done a new friend, wanting, Stuart is lonely feeing. Stuart saves a canary, Margalo of a falcon; she moves in with the Littles. One day Margalo, according to Stuart and Snowbell should be nowhere found demonstrated about the city to find them, while George Stuart represents (the first spot he is had to lie).

Die Mutter von Stuart ist von ihm besonders überfürsorglich, wenn er mit knapper Not Verletzung in einem Fußballspiel entkommt. Sein großer Bruder George hat auch einen neuen Freund, Will gemacht, so ist Stuart einsam feeing. Stuart rettet einen Kanarienvogel, Margalo von einem Falken; sie bewegt sich in mit dem Littles. Eines Tages soll Margalo, so Stuart und Snowbell dargelegt über die Stadt nirgends gefunden werden, um sie zu finden, während George Stuart vertritt (das erste Mal wird er gehabt, um zu liegen).

A movie of family about a mouse that lives in an old woman marries where the geriatric owner dies, and ‘ Crossbeam of Nathan ‘ (qv) and ‘ Lee Evans (I) ‘ (qv) has plans of, but they have the preoccupation it if will be released of the mouse. He is similar at Home Alone to a mouse.

Um filme de família sobre um rato que vive em uma velha casa onde o proprietário geriátrico morre, e ‘Travessa de Nathan’ (qv) e ‘Lee Evans (I)’ (qv) tem planos de, mas eles têm a preocupação se livrar do rato. Ele parece-se em Casa Sozinho com um rato.

The adventures of a heroic and smart loyal mouse and full of insurance called Stuart Peu with human qualities, who faces up some funny misfortunes by searching his friend of lost bird and living with a human family as their child.

Les aventures d’une souris loyale héroïque et élégante et plein d’assurance ont appelé Stuart Peu avec les qualités humaines, qui fait face à quelques mésaventures comiques en cherchant son ami d’oiseau perdu et en vivant avec une famille humaine comme leur enfant.